When you’ve spent years behind a bar performing for actual humans, you pick up a thing or two about close-up magic—just ask Eugene Burger, one of the true legends. In this first instalment, he’s not alone; David Parr joins in to dissect some of Eugene’s tried-and-tested routines live and unfiltered. Witness his cheeky yet effective take on the Sponge Balls (yes, he’ll tell you how to break them in without a hitch). Prepare to be tickled by David Solomon’s clever Cutting Ten and marvel at the sheer thrill Eugene can squeeze from a Simple Spelling card trick. And if that's not enough, Eugene’s presentation of Alan Ackerman's Gemini Money is bound to leave you grinning. Plus, for the first time ever, they unveil two jaw-dropping twists on a U.F. Grant classic in The 21st Century Bill Transposition—now with the flexibility of new-style bills or any currency you fancy.
But wait, there's more! Eugene also shares his sage wisdom on managing spectators, involving your audience, and the theories that turn mere tricks into something with actual substance.
Part 2: A Voyage to the Unreal World
In this episode, Eugene teams up with Jeff McBride to delve into the wonderfully weird realm of close-up magic. Buckle up for Flash Spirit Message, a rather nifty conduit to the spectral side of life. Then there’s Double Reverse, a classic Walter Gibson effect evolved into a piece of intimate Spirit Theatre (which features Eugene’s personal spin on Glorpy). Eugene also showcases his take on Al Baker’s The Card in the Hat, followed by a deep dive into advanced thread techniques. Jeff then performs and explains The Five Gifts of Life, where Mark Twain meets Robert Neale (and yes, it’s as quirky as it sounds). More dark humour unfolds when Eugene reveals Phil Goldstein’s The Wagers of Sin. And to top it all off, there’s a thorough breakdown of Matt Schulien’s brilliant Corner in the Glass.
And don’t forget, Eugene is always ready to share his invaluable insights on framing your presentation, the art of rehearsal, and the theories that elevate magic into something extraordinary.
Part 3: A Voyage to the Inner World
Ever fancied a one-on-one with Eugene Burger? Well, here’s your golden ticket. This time, it’s a personal tête-à-tête where Eugene gets candid. Sinology, a straightforward coin routine, morphs into a parable about self-discovery (surprise!). His take on Lin Searles' Cannibals blends cheeky humour with impressive sleight of hand that will leave you questioning everything. Then there's New Match Stickler, a Milbourne Christopher piece typically dismissed as a bar gag, transformed into a powerful enigma. Darker themes arise in Robert Neale’s daring Last Dream. To wrap things up, Eugene discusses the thought processes behind two of his most sought-after routines, which he performs: The Inquisition, his wickedly twisted spin on Roy Walton's Card Warp, and Shakespearean Thread (which Max Maven insists on calling "Vishnu Doesn't Live Here Anymore"), an evocative presentation for the Hindu Thread.
With Eugene, you’ll also gain special insights into artistic expression, performance philosophy, and the theories that transform magic into something deeply personal.
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